You can’t take my film away from me, can you, can you?

Festival dok.revue: second issue

Czech Journal: Don’t Take My Life (Andrea Culková, 2016)

The festival is on the brink of passing its halfway mark. Arriving to attend the masterclasses are Philip Zimbardo, Mike Bonanno and Rebecca O'Brien.

Today on the program line-up we have another world premiere of a film from the Czech Joy section, apart from a sensitively created insight into the sex lives of the handicapped, Love Me if You Can, and the hazy essays of Martin Ryšavý, Blind Gulliver, the two latest additions to the Czech Journal are also on the agenda. Adele Komrzý will introduce Teaching War and Andrea Culková will present Don’t Take My Life.

One day, documentarian Andrea Culková found out that she was facing attachment of assets because of a minor error that she learnt about too late. Her documentary episode of the Czech Journal series with a prosaic title Don’t Take My Life recounts her own story. She interviews various actors in the field, from debtors through distrainers to the Minister of Justice. “You can’t take my film away from me, can you?!” says Andrea Culková defending herself. One of the 13 nominees vying for the Best Czech Documentary Film Award will be screened in its world premiere at 4:30 PM on Thursday, October 27 in DKO. The subsequent Q&A will be attended by the president of the Czech Chamber of Court Executors Pavla Fučíková and one of the film’s protagonists Jiří Pospíšil.




F2.16DOK.REVUE
October 27, 2016


from current issue:

Situational reviewThe creators of Havel didn’t know that they don’t know. And that’s the worst kind of not knowing!Is director Slávek Horák’s film Havel truly chaos that says nothing at all about the recent history of our Czech nation or its first president? Or are the filmmakers entitled to artistic license and allowed to create whatever they like, despite giving the film and its main character the name Havel? And what does it say about the times we live in that from the legacy of the influential playwright, intellectual, politician, and master of words, the filmmakers chose to focus solely on his slightly sensationalised private life?Kamila BoháčkováNew releaseHeaven over Today’s ChinaWhat is the story behind the feature-length documentary, Heaven, focusing on a Chinese Christian-run orphanage that is also a testimony about today’s China? Director Tomáš Etzler sees the film as a logical ending of his seven years in the Middle Kingdom. The second contribution was written by editor Adéla Špaljová who describes her collaboration with the director on the creation of the final cut of the documentary.Tomáš Etzler, Adéla ŠpaljováNew releaseAs Far As Possible Ukrainian documentarian Ganna Iaroshevych describes how she has been preparing her new film called As Far As Possible. It´s a portray of a man who decided to leave Germany and lives in the Ukrainian mountains fighting against the extinction of water buffaloes. „Our film tells about an alternative way of slow living close to nature and animals, and in harmony with yourself. And it seems to us that now this topic is especially relevant to many people around the globe,“ says Ganna Iaroshevych.Ganna JaroševičNew releaseThe Alchemical FurnaceJan Daňhel describes the concept behind his documentary film Alchemical Furnace that portrays the figure and work of Jan Švankmajer.ThemeIt comes right from the bellyIn this personal essay, a Danish sound designer Peter Albrechtsen remembers one of the world's greatest and most unique modern film composers, Jóhann Jóhannsson. This article was written in 2018, shortly after the Jóhannsson´s death, but has never been published.PoemGramsci’s NotebooksMike HoolboomInterviewKarel Vachek: Films Just Have to Make You Laugh!A doyen of Czech documentary filmmaking Karel Vachek unfortunately passed away on the 21th of December 2020. We publish here the interview he made in 2019 just after releasing his last film, the ninth film novel called Communism and the Net or the End of Representative Democracy. Fifty years after Prague Spring and thirty years after the Velvet Revolution, Karel Vachek “with his inner laughter” looks back on the evolution of our society and predicts a transformation to direct democracy based on the possibilities of the internet that will allow for the engagement of the whole mankind without the need of representatives. Kamila BoháčkováNew BookArmy Film and the Avant Garde?American film historian Alice Lovejoy discusses how her book Army Film and the Avant Garde: Cinema and Experiment in the Czechoslovak Military came to be. First published by Indiana University Press in 2015, the book will be published in a Czech translation by Jan Hanzlík in 2021 by the National Film Archive. The idea for the book emerged during the years the author lived in the Czech Republic.Alice LovejoyIntroductionLiving with inner laughterDok.revue 2.20Kamila Boháčková